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Ank ha scritto:

Re PANIC ha scritto:Intanto io domenica mi vado a vedere the wall DI roger waters

Vedrai che poi il mondo non sarà più lo stesso, dopo....

9 ore da adesso e starà per cominciare a Padova.

diego ha scritto:

Ank ha scritto:

Re PANIC ha scritto:Intanto io domenica mi vado a vedere the wall DI roger waters

Vedrai che poi il mondo non sarà più lo stesso, dopo....

9 ore da adesso e starà per cominciare a Padova.

Ti auguro buona visione con una diapositiva fatta durante la mia volta:
http://i228.photobucket.com/albums/ee4/ ... e2adb3.jpg
^_^

Jessika ha scritto: Ti auguro buona visione con una diapositiva fatta durante la mia volta:
http://i228.photobucket.com/albums/ee4/ ... e2adb3.jpg
^_^

Ma... Ma...

Non vedo l'ora guarda, ho già l'adrenalina a mille.
Arrivo allo stadio attorno alle 16,00, apertura cancelli non prima delle 17,00, posto rigorosamente sul prato, 7.000 gradi all'ombra, inizio concerto 21,15...
Probabilmente non ne uscirò vivo ma ne sarà valsa la pena.

diego ha scritto:

Jessika ha scritto: Ti auguro buona visione con una diapositiva fatta durante la mia volta:
http://i228.photobucket.com/albums/ee4/ ... e2adb3.jpg
^_^

Ma... Ma...

Non vedo l'ora guarda, ho già l'adrenalina a mille.
Arrivo allo stadio attorno alle 16,00, apertura cancelli non prima delle 17,00, posto rigorosamente sul prato, 7.000 gradi all'ombra, inizio concerto 21,15...
Probabilmente non ne uscirò vivo ma ne sarà valsa la pena.

Pensa se muori durante l'attesa sul prato

Erlik_khan ha scritto:

diego ha scritto:

Jessika ha scritto: Ti auguro buona visione con una diapositiva fatta durante la mia volta:
http://i228.photobucket.com/albums/ee4/ ... e2adb3.jpg
^_^

Ma... Ma...

Non vedo l'ora guarda, ho già l'adrenalina a mille.
Arrivo allo stadio attorno alle 16,00, apertura cancelli non prima delle 17,00, posto rigorosamente sul prato, 7.000 gradi all'ombra, inizio concerto 21,15...
Probabilmente non ne uscirò vivo ma ne sarà valsa la pena.

Pensa se muori durante l'attesa sul prato

Mi porto dietro un defibrillatore e mi faccio rianimare, basterebbero solo 3 ore in più!

diego ha scritto:

Jessika ha scritto: Ti auguro buona visione con una diapositiva fatta durante la mia volta:
http://i228.photobucket.com/albums/ee4/ ... e2adb3.jpg
^_^

Ma... Ma...

Non vedo l'ora guarda, ho già l'adrenalina a mille.
Arrivo allo stadio attorno alle 16,00, apertura cancelli non prima delle 17,00, posto rigorosamente sul prato, 7.000 gradi all'ombra, inizio concerto 21,15...
Probabilmente non ne uscirò vivo ma ne sarà valsa la pena.

Senza parole.

Beh, al di là delle condizioni logistico-ambientali non certo agevoli, ma d'altronde ne ero consapevole (i cancelli li hanno aperti quasi alle 6, quindi ci siamo ciucciati 2 ore di caldo in coda - e non caldo normale, ma 37° con elevatissima percentuale di umidità - oltre alle 4 ore in piedi tra pre-concerto e concerto, ma ne è valsa la pena visto che ero esattamente di fronte al centro del palco a una quindicina di metri di distanza, quindi molto vicino ma comunque in posizione tale da godermi tutta la scenografia) è stato uno spettacolo nel verso senso della parola.
Non un semplice concerto, ma per me la frontiera del concerto... Il muro, le proiezioni, i costumi, i fuochi d'artificio, i pupazzi, l'aereo, tutto ad altissimo grado di tecnologia ma tutt'altro che freddo, anzi... E poi Roger in formissima a dispetto dei suoi 70 anni, simpatico, comunicativo, ha parlato anche a lungo in Italiano, ha cantato alla grande supportato da un'ottima band (e ci mancherebbe altro)...
Uno show totale.

Apoteosi.

Forse vado anch'io

Diego, che categoria di biglietto hai preso?

Ank ha scritto:

Re PANIC ha scritto:Intanto io domenica mi vado a vedere the wall DI roger waters

Vedrai che poi il mondo non sarà più lo stesso, dopo....

Hai ragione...

da ieri sera mi è cambiato completamente il mondo e mi sento un uomo migliore!




MERAVIGLIOSO!!!!!

Ank ha scritto:

Re PANIC ha scritto:Intanto io domenica mi vado a vedere the wall DI roger waters

Vedrai che poi il mondo non sarà più lo stesso, dopo....

Hai ragione...

da ieri sera mi è cambiato completamente il mondo e mi sento un uomo migliore!




MERAVIGLIOSO!!!!!

Erlik_khan ha scritto:Forse vado anch'io

Diego, che categoria di biglietto hai preso?

Prato, 69 euri diritti di prevendita inclusi.

fosse durato solamente questi 5 minuti sarei già andato a casa felice!

Mio padre me li ha fatti ascoltare fino alla nausea quando ero piccola.
Gli ho restituito la cortesia scappando di casa nell'89 per vederli dal vivo nel tour "Another Lapse".

Sara' l' effetto della "terapia Ludovico" , ma a me tremano le vene dei polsi solo a sentirli nominare

Re PANIC ha scritto:

phpBB [video]

fosse durato solamente questi 5 minuti sarei già andato a casa felice!

Madonna davvero, il più bell'inizio di concerto a cui abbia mai assistito, ho i brividi anche ora a riguardare il video.

diego ha scritto:

Re PANIC ha scritto:

phpBB [video]

fosse durato solamente questi 5 minuti sarei già andato a casa felice!

Madonna davvero, il più bell'inizio di concerto a cui abbia mai assistito, ho i brividi anche ora a riguardare il video.

Idem

L'aereo al Forum non c'era...pelle d'oca!

Jessika ha scritto:L'aereo al Forum non c'era...pelle d'oca!

c'era... c'era...
almeno quando l'ho visto io

sarò l'unico al mondo, mi sa

ma io waters è da un bel po' di anni che lo trovo un po' patetico, ormai

Me lo sono persa, guardavo il palco e in quel mentre stavo filmando

Il Criceto Fuxia ha scritto:sarò l'unico al mondo, mi sa

ma io waters è da un bel po' di anni che lo trovo un po' patetico, ormai

Quando non si ha avuto la possibilità di vederli ai tempi che furono bisogna aprofittarne di assistere a tali show

Nn so come fosse nei palazzetti, ma nelle versione stadio the wall è veramente disarmante, resti a bocca aperta e quel muro di 150 metri è un qualcosa di incredibile!

Ma voi lo sapete che i Pink Floyd vennero a CAVA DE' TIRRENI provincia di SALERNO nell'89?

Il Criceto Fuxia ha scritto:sarò l'unico al mondo, mi sa

ma io waters è da un bel po' di anni che lo trovo un po' patetico, ormai

Ma no dai, continua a portare in giro per il mondo idee nuove

Bhe' chiaro e' puro revival. Prendere o lasciare

detto in parole semplici: Waters puo' permettersi di fare il cazzo che vuole, credo non debba dimostrare niente a nessuno.

Ezrin su The Wall e Momentary

“The Wall is a crowning achievement technically, lyrically and musically; it’s one of the things that I’ve most proud of having been involved with. Everybody was firing on all cylinders and was at the peak of their conditioning and talents. The end product shows that generations are still discovering the album, which for me is one of the most gratifying things about it. I really consider it to be a work of art.

“Roger’s fiancée, Caroline, had worked with me in London. We had hired her to be our rep for some of the things I was doing – Lou Reed, Alice Cooper – so when Roger started to noodle with the idea of bringing a producer into the project to work with the band, she said that he ought to talk to me about it. A side note: When I first started working with Alice Cooper in 1970, they were into British art rock and listening to things I’d never heard of – T. Red and Pink Floyd. They played me my first Pink Floyd, and I fell totally in love and became a monster fan.

“Actually, this story goes before then: When Pink Floyd were in Canada on the Animals tour, Caroline had called me to say hi, and I invited them over to the house for a barbecue. Roger couldn’t come because he was soundchecking, but Caroline invited me to the gig, and she said that we would all ride out to the show together. I was in the limo with them, and Roger said something about wanting to build a wall between the band and the audience. I think I said, ‘Wow, that’s a great idea, Roger.’

“So later, after Caroline had mentioned me to Roger and he felt comfortable with the idea, he sent [manager] Steve O’Rourke to New York to talk to me about it. Steve asked me if I would go out to the country to Roger’s house to listen to demos. I did so, and we listened to two projects, one of which became The Pros And Cons Of Hitchhiking and the other was The Wall. At this point, Roger wasn’t sure which one he should do. I believe everyone was unanimous in picking The Wall as the one to work on. I certainly was. While they were both great, that's the one that touched me the most.

“Working with Roger musically and conceptually was always incredibly stimulating. Sometimes it was difficult, but it was also exciting and thrilling and very challenging. There were so many things going on. There was never a moment where Roger and I looked at just a verse of a song; it was always part of something bigger.

“With Roger, it was like working on a theatrical production; with the other guys, it was like working with a rock band. They were all great. Nick [Mason] was a delight to be with, really smart and funny. Rick Wright was a gentle, sweet man, but at the time he was feeling very self-conscious about his relationship with Roger. I felt sorry for him on certain levels during that time, and I sometimes had to stand up for him. He wasn’t a fighter; he was always more of a passive guy.

“And David… working with him is always a stone musical thrill. He’s one of the greatest players of all time. He does it in a very understated and un-self-conscious way. Sometimes you would think he has no idea how great what he just played is. He just knocks it off and has some tea, and you’re standing there going, ‘Oh, my God... I just heard the best thing in my entire life.’

“Like the solo on Comfortably Numb. That was one take – and not only one take, the first take! The first time he ever played it, that’s what came out. We tried 100 times to make it better, but we never could. The first time I heard it, I said, ‘That’s the best solo I’ve ever heard.’ David said, ‘No, no, I can do better.’ He kept trying until he finally gave up, and he realized that we had the best one.”

“I had done The Wall, and then there was a conflict between Roger and me. It was two-pronged – one side was really my fault, and the other part was out of my control.

“I had signed an NDA [non-disclosure agreement] about The Wall and everything we were doing with it. One day a friend a mine, who also happens to be a rock journalist, called me to tell me that his magazine wouldn’t pay for him to see The Wall – we were about to do the live show in LA. He said, ‘You know how much I love the band, so just between us, what am I missing? What am I not going to see?’ I asked him if this was off the record, and he said, ‘Off the record, absolutely.’

“I was just about to sit down to dinner, but I was really excited about the show, so I told him some of the things we were doing. The next week in Billboard it said, ‘Over dinner with Bob Ezrin,’ and it revealed some of the details. This put Roger into an apoplectic fit – rightly so. He had worked so hard to keep it all a secret, and then the secret was out, and it appeared to be my fault. It was my fault. I was naïve in believing that there was such as thing as ‘off the record.’

"I was banned after that. They used Michael Kamen for the next record, The Final Cut – I had brought Michael in to work on The Wall. Roger wouldn’t talk to me. Finally, some years down the line, I got a call from him asking me to come to England to talk about a new project. ‘Pink Floyd is no more,’ he said, ‘and they wouldn’t dare go on without me.’ I told him that I couldn’t go to England right then – I was either doing Rod Stewart or Berlin – but we agreed to meet in New York.

"We got together, and the first thing he did was apologize. He said, ‘I was very hard on you, and I’m sorry. It was a difficult time in my life, and I was perhaps a little unfair.’ I was so happy to have Roger Waters back in my life, because I love him. He’s one of the most brilliant people I’ve ever known.

“We had a great time, we bonded, and he told me he wanted me to produce the new album. I said that I was very interested, and that was that. We started to try to make arrangements, but it was very, very difficult. I had to go to England to work with him, and once we started, we couldn’t stop. Basically, I had to move my family, which involved many things – it all became more and more difficult. One night, my wife broke into tears. There was so much involved with our family going to England. We were going to have to leave the dog boarded for months; the kids were going to have to enroll in these other schools. Finally, she said it was too much and that I can't do it.

"I called Peter Rudge, who was the manager at the time, and I said, ‘Peter, I can’t do it.’ He was like, ‘Oh, you’re killing me. I don’t want to have to give this news to Roger.’ I told him I was so sorry, that I had honestly tried. And we were already pretty far down the line heading towards the record. It was pretty late to be pulling out. But at the end of the day, my wife wins. That was that.

“Literally, three weeks later, I got a call from Dave Gilmour telling me, ‘Roger’s left, but we’re keeping the band together. We’re doing an album, and we’d like to know if you’d work with us. We have some song ideas – may I come to LA to show them to you?’ I said, ‘Yeah, sure.’ 'Cause, you know, I love Dave, too. Dave and the band are amazing talents, so I was really excited.

What was different was the fact that Dave said, ‘Look, you’ve got a family, I’ve got a family – why don’t we split it up? We’ll do a bit in England and a bit here.’ It was so much easier and more accommodating of my family situation, so I said, ‘I’m in.’

"Roger got very angry, and he believed that I knew I was going to do this before I’d pulled out of his project. In a way, he sort of believed a conspiracy, that I'd strung him along so that he’d be late and wouldn’t be able to his record out before Pink Floyd. None of which is true – I had no thoughts about any of that. I just felt more comfortable with the situation and that we were going to do a lot of it in LA, where I lived.

“Anyway, we started Momentary Lapse. We began in this Victorian houseboat boat that David had bought – a brilliant piece of architecture. It was a very fertile environment; the water was gorgeous, and the ideas were flying. We had a great time.”

estremamente interessante. fa luce su diverse cose

Nuovo album di inediti ad ottobre

http://www.rockol.it/news-616842/pink-f ... refresh_ce

Cattivo_soggetto ha scritto:Nuovo album di inediti ad ottobre

http://www.rockol.it/news-616842/pink-f ... refresh_ce

a prescindere

come dire... l'album può pure fare schifo, l'importante è che i superstiti facciano un tour

Kowalsky ha scritto:come dire... l'album può pure fare schifo, l'importante è che i superstiti facciano un tour

Ecco

Kowalsky ha scritto:come dire... l'album può pure fare schifo, l'importante è che i superstiti facciano un tour

http://forum.metalhammer.it/posting.php ... &p=1386871#

mah...difficilmente farà shifo..

Kowalsky ha scritto:come dire... l'album può pure fare schifo, l'importante è che i superstiti facciano un tour

occhio che poi arrivano i PDFs a dirti che non sono gli originali Pink Floyd, etc etc etc

Quindi queste registrazioni sono senza Waters? Tra l'altro parla di musica ambient, mi sa che di rock ci sarà poco

Registrazioni di musica ambient.
Dei Pink Floyd.
mha......

Spiace sempre vedere leggende della musica che non sanno gestire, valorizzare e custodire il proprio mito.

Manco The Doors ce l'hanno fatta, erano quelli che c'erano andati più vicino.