I Rush, porca zozza, i Rush
- Camp
- ... I Love Music ...
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- The Healer
- Rainbow Warrior
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- Leppard
- The Best Rocker of Class!!!
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bella questa nuova canzone.Luca2112 ha scritto: su http://www.rush.com , sito ufficiale della band , ascoltabile per intero "far cry" primo singolo del nuovo Rush .
E poi nuova grafica stupenda!
.Non ci sono ancora le date del tour ma è questione di ore....![]()
Il nonno è tornato 
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ProgParty
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Riascoltata una decina di volte e m'ha stregato...non c'è un cazzo da fare...la classe non è acqua. Quando 'sti 3 vecchietti si ritireranno lasceranno un buco immenso da colmare.
E ora aspetto con ancora più ansia il capolavoro...perchè capolavoro sarà.
E ora aspetto con ancora più ansia il capolavoro...perchè capolavoro sarà.
"Sei indietro come le balle dei cani..." by Erotic.Nightmares
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ProgLander
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- Baker
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ProgLander
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- Leppard
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ProgParty
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- Luca2112
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Questo dovrebbe essere il minutaggio del nuovo album dei Rush : non ci sono suite ma promette bene lo stesso.....
1. Far Cry (Album Version) 05:21
2. Armor And Sword (Album Version) 06:36
3. Workin' Them Angels (Album Version) 04:47
4. The Larger Bowl (Album Version) 04:07
5. Spindrift (Album Version) 05:24
6. The Main Monkey Business (Instrumental) 06:01
7. The Way The Wind Blows (Album Version) 06:28
8. Hope (Instrumental) 02:02
9. Faithless (Album Version) 05:31
10. Bravest Face (Album Version) 05:12
11. Good News First (Album Version) 04:51
12. Malignant Narcissism (Instrumental) 02:17
13. We Hold On (Album Version) 04:13
1. Far Cry (Album Version) 05:21
2. Armor And Sword (Album Version) 06:36
3. Workin' Them Angels (Album Version) 04:47
4. The Larger Bowl (Album Version) 04:07
5. Spindrift (Album Version) 05:24
6. The Main Monkey Business (Instrumental) 06:01
7. The Way The Wind Blows (Album Version) 06:28
8. Hope (Instrumental) 02:02
9. Faithless (Album Version) 05:31
10. Bravest Face (Album Version) 05:12
11. Good News First (Album Version) 04:51
12. Malignant Narcissism (Instrumental) 02:17
13. We Hold On (Album Version) 04:13
http://www.limborush.it :il sito italiano dei Rush
- moonlit knight
- Stan
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ProgParty
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- Luca2112
- Senior Member
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Rese note le date del tour mondiale dei Rush sul sito ufficiale http://www.rush.com con tappa italiana il 23 Ottobre a Milano Forum Assago.....
:zomping:
:zomping:
http://www.limborush.it :il sito italiano dei Rush
- Ale
- se-le-brescion
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ProgParty
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Mighty_Warrior
- Warrior Of The World
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Luca2112 ha scritto: Rese note le date del tour mondiale dei Rush sul sito ufficiale http://www.rush.com con tappa italiana il 23 Ottobre a Milano Forum Assago.....
:zomping:
Il sogno si realizzerà di nuovo!
Che il countdown abbia inizio!
Only one thing really sets me free
Heavy metal loud as it can be
www.powermetal.it
Heavy metal loud as it can be
www.powermetal.it
- Guario
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- Pariskio
- Our witchcult grows...
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- Località: Savona e dintorni...
Luca2112 ha scritto: Rese note le date del tour mondiale dei Rush sul sito ufficiale http://www.rush.com con tappa italiana il 23 Ottobre a Milano Forum Assago.....
:zomping:
cazz!!!
- Squall
- Zio Cantante
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ProgParty
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Cari Rushmaniaci....ecco quì la prima review dettagliata di S&A.
RUSH Snakes & Arrows Atlantic (2007)
Nothing concentrates the mind better than having to review a new Rush album after just one solitary play. And after this playback at Atlantic Records HQ in Kensington I was left breathless, if not stunned by the sheer power of an album that stylistically throws in the proverbial kitchen sink.
I suppose after such an enduring and varied musical career, it's not surprising that Rush have gone back to their Proggy musical roots. And with former Foo Fighters Alex Raskulinecz at the controls, the band are given a free reign to indulge their musical excesses, as they stretch out and jam in a post Zeppelin heavy duty deluge that manifests itself in a stunning wall of sound.
Aside from a high in the mix raucous drum sound and some complex arrangements, vocalist Geddy Lee's successfully uses his impressive high range to give full meaning to Neil Peart's esoteric lyrics. Where once there was a thin high register vocal line, there is now a more mature vocalist whose phrasing puts him up there with Robert Plant in his element.
'Snakes & Arrows' opens with the new single 'Far Cry', which after a big, powerful staccato drum intro opens into a slice of melodic hard rock with a lilting chorus. 'A Far Cry' is much more accessible than much of the rest of the album and sets the standard with a belated chorus that stays in the mind long after the conclusion of the song.
The following 'Armor & Sword' features some of Peart's best lyrics, and might be regarded as a metaphor for both personal faith and contemporary world events. The line, 'Our better natures seek elevation, A refuge for the coming night, No One gets to their heaven without a fight', seems to be a personal reflection but can be taken as a wry comment on our times, while 'The suit of shining armor, becomes a keen and bloody sword', is an uncompromising analysis of the machinations of religion and faith.
'Working Them Angels' employs a big wall of sound and is punctuated by urgent time changes which build up a tension that is finally resolved by the 'Working them angels-Overtime' line. 'The Large Bowl' is a more radio friendly affair and is one of the highlights of the album. Opening with an acoustic guitar and a vocal line that recalls Mark Bolan, the hook has a hypnotic quality about it, before Alex Lifeson delivers a trademark solo.
There's more of the evocative big sweep wall of sound on 'Spindrift'. The song cleverly uses natural elements in the lyrics as metaphors and delivers big booming chords and a heavy duty rhythm track topped by some lovely bass notes and jangling guitar.
Guitarist Alex Lifeson sounds a little like U2's The Edge as the band use an ascending chord sequence and a stop time rhythm before plunging back into an explosion of riffs. 'Spindrift' impresses if only for the fact that Rush manage to make the music conjure up the lyrical imagery.
'The Main Monkey Business' is the first and certainly the most impressive of three instrumental outings. It's interesting to see what Rush make of a piece that doesn't have to accommodate the lyrics, and the result is a guitar-led motif with a vaguely Celtic/Zeppelin sounding feel, and a real sense of presence and controlled power. The mid-section slips into a Space Rock outing that resolves itself in a Prog Metal oeuvre as layers of keyboards beef up the melody line.
'Monkey Business' is both coherent, powerful and delivers a polished production without ever losing the essential band dynamic. Another drum intro graces 'The Way the Wind Blows' before giving way to a surprising heavy duty bluesy guitar led shuffle. If anything there are elements of Jethro Tull's soft Metal period of the late 80's with the song's poignant lyrics about the pseudo East/West religious divide glued together by repeated heavy guitar riffs, some belated space rock elements, and impressive vocal swoops. The second instrumental 'Hope' is a pleasant if unchallenging acoustic link piece with a Eastern, almost sea shanty feel, while 'Faithless' is an impressive return to the lyrical raison d'etre of the album. The line 'I've got my own moral compass to steer by' neatly summarises the song's meaning, and it is essentially a simple outing that derives an anthemic quality from some big production trappings that include the use of a mellotron. If 'Faithless' is another high point of the album then 'Bravest Face' continues the upwards curve, with its acoustic intro, some complex crunching chords, and impressive lyrics that dwell on the nature of mankind's duality.
'Good News First' doesn't work as well, with the high register vocals struggling manfully to unravel the lyrical meaning over another big production wall of sound. Curiously enough the sometimes impenetrable nature of the previous track adds lucidity to the following hard hitting rocked out instrumental 'Malignant Narcissism'. This short piece of guitar drenched Space Rock works really well and even finds time for some impressive bass and drum breaks.
The closing 'We Hold On' is the perfect kind of powerful and coherent outing to finish with and features soaring vocals, feverish guitar, a pounding rhythm track and a strong chorus.
'Snakes & Arrows' is a powerful album which in striving to be contemporary is possibly a little heavier and a touch more cluttered than it needed to be. Neil Peart's heartfelt lyrics are impressive throughout, and Geddy Lee's vocals suggest a new maturity. Above all the band find room to jam out enthusiastically, but in occasionally over egging the arrangements and sometimes falling in between the Prog Rock, Space Rock and melodic Metal genres, 'Snakes & Arrows' might be a CD that seeks to consolidate rather than break new ground.
****
Review by Pete Feenstra
:zomping: :zomping: :zomping:
Acustiche, tastiere, heavy, ritorno al prog.... :scola: :scola:
RUSH Snakes & Arrows Atlantic (2007)
Nothing concentrates the mind better than having to review a new Rush album after just one solitary play. And after this playback at Atlantic Records HQ in Kensington I was left breathless, if not stunned by the sheer power of an album that stylistically throws in the proverbial kitchen sink.
I suppose after such an enduring and varied musical career, it's not surprising that Rush have gone back to their Proggy musical roots. And with former Foo Fighters Alex Raskulinecz at the controls, the band are given a free reign to indulge their musical excesses, as they stretch out and jam in a post Zeppelin heavy duty deluge that manifests itself in a stunning wall of sound.
Aside from a high in the mix raucous drum sound and some complex arrangements, vocalist Geddy Lee's successfully uses his impressive high range to give full meaning to Neil Peart's esoteric lyrics. Where once there was a thin high register vocal line, there is now a more mature vocalist whose phrasing puts him up there with Robert Plant in his element.
'Snakes & Arrows' opens with the new single 'Far Cry', which after a big, powerful staccato drum intro opens into a slice of melodic hard rock with a lilting chorus. 'A Far Cry' is much more accessible than much of the rest of the album and sets the standard with a belated chorus that stays in the mind long after the conclusion of the song.
The following 'Armor & Sword' features some of Peart's best lyrics, and might be regarded as a metaphor for both personal faith and contemporary world events. The line, 'Our better natures seek elevation, A refuge for the coming night, No One gets to their heaven without a fight', seems to be a personal reflection but can be taken as a wry comment on our times, while 'The suit of shining armor, becomes a keen and bloody sword', is an uncompromising analysis of the machinations of religion and faith.
'Working Them Angels' employs a big wall of sound and is punctuated by urgent time changes which build up a tension that is finally resolved by the 'Working them angels-Overtime' line. 'The Large Bowl' is a more radio friendly affair and is one of the highlights of the album. Opening with an acoustic guitar and a vocal line that recalls Mark Bolan, the hook has a hypnotic quality about it, before Alex Lifeson delivers a trademark solo.
There's more of the evocative big sweep wall of sound on 'Spindrift'. The song cleverly uses natural elements in the lyrics as metaphors and delivers big booming chords and a heavy duty rhythm track topped by some lovely bass notes and jangling guitar.
Guitarist Alex Lifeson sounds a little like U2's The Edge as the band use an ascending chord sequence and a stop time rhythm before plunging back into an explosion of riffs. 'Spindrift' impresses if only for the fact that Rush manage to make the music conjure up the lyrical imagery.
'The Main Monkey Business' is the first and certainly the most impressive of three instrumental outings. It's interesting to see what Rush make of a piece that doesn't have to accommodate the lyrics, and the result is a guitar-led motif with a vaguely Celtic/Zeppelin sounding feel, and a real sense of presence and controlled power. The mid-section slips into a Space Rock outing that resolves itself in a Prog Metal oeuvre as layers of keyboards beef up the melody line.
'Monkey Business' is both coherent, powerful and delivers a polished production without ever losing the essential band dynamic. Another drum intro graces 'The Way the Wind Blows' before giving way to a surprising heavy duty bluesy guitar led shuffle. If anything there are elements of Jethro Tull's soft Metal period of the late 80's with the song's poignant lyrics about the pseudo East/West religious divide glued together by repeated heavy guitar riffs, some belated space rock elements, and impressive vocal swoops. The second instrumental 'Hope' is a pleasant if unchallenging acoustic link piece with a Eastern, almost sea shanty feel, while 'Faithless' is an impressive return to the lyrical raison d'etre of the album. The line 'I've got my own moral compass to steer by' neatly summarises the song's meaning, and it is essentially a simple outing that derives an anthemic quality from some big production trappings that include the use of a mellotron. If 'Faithless' is another high point of the album then 'Bravest Face' continues the upwards curve, with its acoustic intro, some complex crunching chords, and impressive lyrics that dwell on the nature of mankind's duality.
'Good News First' doesn't work as well, with the high register vocals struggling manfully to unravel the lyrical meaning over another big production wall of sound. Curiously enough the sometimes impenetrable nature of the previous track adds lucidity to the following hard hitting rocked out instrumental 'Malignant Narcissism'. This short piece of guitar drenched Space Rock works really well and even finds time for some impressive bass and drum breaks.
The closing 'We Hold On' is the perfect kind of powerful and coherent outing to finish with and features soaring vocals, feverish guitar, a pounding rhythm track and a strong chorus.
'Snakes & Arrows' is a powerful album which in striving to be contemporary is possibly a little heavier and a touch more cluttered than it needed to be. Neil Peart's heartfelt lyrics are impressive throughout, and Geddy Lee's vocals suggest a new maturity. Above all the band find room to jam out enthusiastically, but in occasionally over egging the arrangements and sometimes falling in between the Prog Rock, Space Rock and melodic Metal genres, 'Snakes & Arrows' might be a CD that seeks to consolidate rather than break new ground.
****
Review by Pete Feenstra
:zomping: :zomping: :zomping:
Acustiche, tastiere, heavy, ritorno al prog.... :scola: :scola:
"Sei indietro come le balle dei cani..." by Erotic.Nightmares
- Luca2112
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- Contatta:
- Re PANIC
- Lo RE
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- Contatta:
:zomping: :zomping: :zomping: :zomping:
:zomping: :zomping: :zomping: :zomping:
:zomping: :zomping: :zomping: :zomping:
La playlist del forum su spotify, sempre aggiornata, seguitela!!!!
https://play.spotify.com/user/116725052 ... d2PWvB3dCo
https://play.spotify.com/user/116725052 ... d2PWvB3dCo
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ProgParty
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- Ale
- se-le-brescion
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ProgLander
- Member
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- Luca2112
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- redwolf
- Senior Member
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- Luca2112
- Senior Member
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- Iscritto il: 12 novembre 2006 14:33
- Contatta:
un ricordo bellissimo : quando me li sono visti davanti sono entrato in uno stato catatonico.
Non avrò vinto il meet & greet nel backstage ma stringere la amnao a Lifeson e vedermi per pochi secondi Lee a 30 cm mi ha reso felicissimo.
Poi il concerto.....che evento!
Non avrò vinto il meet & greet nel backstage ma stringere la amnao a Lifeson e vedermi per pochi secondi Lee a 30 cm mi ha reso felicissimo.
Poi il concerto.....che evento!
http://www.limborush.it :il sito italiano dei Rush
- Re PANIC
- Lo RE
- Messaggi: 18889
- Iscritto il: 28 novembre 2002 13:43
- Contatta:
ProgParty ha scritto: Prezzi:
74 Euro Tribuna Gold Numerato
60 Euro Posto unico
Direi che siamo sul caro..![]()
Io vado comunque..
p.s.
nn mancherò.
li prendo appena vanno in vendita.
La playlist del forum su spotify, sempre aggiornata, seguitela!!!!
https://play.spotify.com/user/116725052 ... d2PWvB3dCo
https://play.spotify.com/user/116725052 ... d2PWvB3dCo
- Ktulu
- Esibizionista
- Messaggi: 33265
- Iscritto il: 7 aprile 2003 12:47
- Località: Monza
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ProgParty
- Senior Member
- Messaggi: 2956
- Iscritto il: 5 dicembre 2004 19:01
In realtà i prezzi sono:
Tribuna Gold - 65,00? + prev.
Posto unico - 52,00? + prev.
Biglietti disponibili nel circuito TicketOne a partire da Sabato 31 Marzo, a seguire nelle prevendite tradizionali.
Io vado comunque
Citando una nota pubblicità:
1 concerto dei PoS in un locale di merda (Alpheus), con un'acustica di merda e senza scenografia 25 euro
1 concerto dei maiden di 1 e mezza (che suonano 10 volte l'anno in italia), con tutti pezzi del nuovo album 40 euro circa
1 concerto dei Rush di 3 ore e passa? Non ha prezzo...
Tribuna Gold - 65,00? + prev.
Posto unico - 52,00? + prev.
Biglietti disponibili nel circuito TicketOne a partire da Sabato 31 Marzo, a seguire nelle prevendite tradizionali.
Io vado comunque
Citando una nota pubblicità:
1 concerto dei PoS in un locale di merda (Alpheus), con un'acustica di merda e senza scenografia 25 euro
1 concerto dei maiden di 1 e mezza (che suonano 10 volte l'anno in italia), con tutti pezzi del nuovo album 40 euro circa
1 concerto dei Rush di 3 ore e passa? Non ha prezzo...
Ultima modifica di ProgParty il 29 marzo 2007 13:41, modificato 1 volta in totale.
"Sei indietro come le balle dei cani..." by Erotic.Nightmares
- Satanika
- Teodem
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ProgParty
- Senior Member
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- Iscritto il: 5 dicembre 2004 19:01
- 3ru
- Mighty Ravendark
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pastagakio
- Senior Member
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- Iscritto il: 29 novembre 2002 13:10
ProgParty ha scritto: In realtà i prezzi sono:
Tribuna Gold - 65,00? + prev.
Posto unico - 52,00? + prev.
Biglietti disponibili nel circuito TicketOne a partire da Sabato 31 Marzo, a seguire nelle prevendite tradizionali.
Io vado comunque
Citando una nota pubblicità:
1 concerto dei PoS in un locale di merda (Alpheus), con un'acustica di merda e senza scenografia 25 euro
1 concerto dei maiden di 1 e mezza (che suonano 10 volte l'anno in italia), con tutti pezzi del nuovo album 40 euro circa
1 concerto dei Rush di 3 ore e passa? Non ha prezzo...![]()
non si puo parlare di prezzi !!!!!
certo le nostre locazioni sono le peggiori del pianeta
de michelis era in gondola quando i pinky stavano affondando venezia
cmq fa piacer veder ballare per tre ore segretarie banchieri terziari e quaternari
perche vedi litali finalmente scalpitare respirare non solo colle pleuri
... vivere !!!!
per intenderci
io per battiato spenderei cento euro
manon sono mai andato dal panettiere sottocasa
vapor...
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ProgParty
- Senior Member
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- Iscritto il: 5 dicembre 2004 19:01
GRANDISSIMI!!!!!!!!!3ru ha scritto: http://www.youtube.com/watch?v=xIGjkB_JJ90
Geddy Ruleggia come sempre:cornine:
Direi che questa Mlignant Narcisism è il pezzo più funky dei Rush...a questo punto sono troppo curioso di sentire tutto l'album.
Ultima modifica di ProgParty il 12 aprile 2007 10:29, modificato 1 volta in totale.
"Sei indietro come le balle dei cani..." by Erotic.Nightmares
-
ProgParty
- Senior Member
- Messaggi: 2956
- Iscritto il: 5 dicembre 2004 19:01
Bè? Nessuno ci butta un orecchio?
E' anche l'esordio al Fretless da parte di Geddy Lee :lovez:
Queste le parole di Peart :
... Toward the end of the sessions, Geddy was playing with a fretless bass between vocal takes, just riffing aimlessly, and Booujze was getting excited. He started recording some of those figures over the vocal mic, and fired us up with the idea of putting them together to create a short, quirky instrumental. This inspired the thirteenth track, for luck, "Malignant Narcissism" (an apt title for an instrumental with bass and drum solos, it came from Team America: World Police). For everyday use, that mouthful was soon abbreviated to "MalNar" (cue robot voice, "We are from the planet Malnar"). I had left a little four-piece drumset in the studio for Booujze to play around on, and I ended up recording "Malignant Narcissism" on that. Just for fun....
A quanto pare quindi è una jam che poi hanno voluto mettere sul disco mentre la strumentale primcipale è "The Main Monkey Business":cornine:
E' anche l'esordio al Fretless da parte di Geddy Lee :lovez:
Queste le parole di Peart :
... Toward the end of the sessions, Geddy was playing with a fretless bass between vocal takes, just riffing aimlessly, and Booujze was getting excited. He started recording some of those figures over the vocal mic, and fired us up with the idea of putting them together to create a short, quirky instrumental. This inspired the thirteenth track, for luck, "Malignant Narcissism" (an apt title for an instrumental with bass and drum solos, it came from Team America: World Police). For everyday use, that mouthful was soon abbreviated to "MalNar" (cue robot voice, "We are from the planet Malnar"). I had left a little four-piece drumset in the studio for Booujze to play around on, and I ended up recording "Malignant Narcissism" on that. Just for fun....
A quanto pare quindi è una jam che poi hanno voluto mettere sul disco mentre la strumentale primcipale è "The Main Monkey Business":cornine:
Ultima modifica di ProgParty il 12 aprile 2007 11:24, modificato 1 volta in totale.
"Sei indietro come le balle dei cani..." by Erotic.Nightmares
- Luca2112
- Senior Member
- Messaggi: 311
- Iscritto il: 12 novembre 2006 14:33
- Contatta:
stupendo ....credo che avremo un capolavoro a breve tra le mani.
Sì il breve strumentale è nato da un improvvisazione di Geddy Lee che il produttore ha poi spinto a registare.....l'altro breve strumentale è Hope con Lifeson impegnato alla chitarrra acustica.
Da quanto letto nel racconto di Peart l'album sarà sicuramente molto + vario rispetto a Vapor Trails
Sì il breve strumentale è nato da un improvvisazione di Geddy Lee che il produttore ha poi spinto a registare.....l'altro breve strumentale è Hope con Lifeson impegnato alla chitarrra acustica.
Da quanto letto nel racconto di Peart l'album sarà sicuramente molto + vario rispetto a Vapor Trails
http://www.limborush.it :il sito italiano dei Rush